The Zen of Sanding
By Ana Camila Gonzalez
“But can’t you see the rings already?” I ask, wondering why I’ve been asked to sand a sample- it sounds to me like one would damage a sample by subjecting it to the mechanical screech of a sander.
“Yes, but under the microscope they look foggy if you don’t sand them. Also, you’re looking at a black oak sample. You wouldn’t see any rings before sanding if you were looking at a Maple, for example.” Jackie responds. She shows me a maple core sample that she explains has been hand-sanded down to a 1200 grit. It’s smooth and shiny as can be; yet I can barely see what seem to be hairlines.
“Oh. That makes sense.” I secretly hope I won’t have look at another maple sample for a while.
I approach the machine. I look like a character from BioShock or a WWII soldier in the trenches, as I am wearing a respiration mask, goggles and ear muffs. Seemed a little excessive to me at first- once I turned the machine on and I saw the mushroom cloud of sawdust come off the banshee-screeching sander, however, I realized I’d be better off looking like a biohazard worker than having to bring an inhaler and hearing aid to work.
I place my first sample down on the sander, but it flies off and hits the wall… I guess I can hold it tighter and push it down a little harder. I try again but this time my sample stops the belt from spinning. Definitely too hard. Eventually I get just the right amount of pressure, and I realize I can tell because my sample looks clearer every time I take it off the belt. I start humming to myself, singing something along the lines of I can see clearly now, the rings are there… As I go to higher and higher grits and my sample starts developing a cloudless luster, I realize I enjoy this a little too much.
To me, sanding is a process full of Zen. It’s a process I can focus on while still letting my mind wander, and my thoughts usually get pretty philosophical- I have this foggy, unclear sample and slowly I take off its layers and layers of disparities. What results is a core in its purest form ready to tell the story of its life, and after a few hours of sanding I’m ready to listen.
Ana Camila Gonzalez is a first-year environmental science and creative writing student at Columbia University at the Tree Ring Laboratory of Lamont-Doherty Earth Observatory. She will be blogging on the process of tree-ring analysis, from field work to scientific presentations.